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When she has a fight with Jesse about why they passed on parenthood, she blurts out, “The father of my child will own a car,” and we can sympathize.

Samberg is not in his cutup “Saturday Night Live” mode here, and that’s a tribute to him and his director, Lee Toland Krieger.

Jesse is an unemployed artist in no hurry to find a job.

Celeste decides to separate but promises to stay friends and date other people.

Their relationship is shown in a photo montage; the montage ends with Celeste walking away from Jesse during a party. Celeste is a successful trend analyzer and runs her own media company with her partner, Scott (Elijah Wood).

Celeste's media company has just signed Riley Banks (Emma Roberts), a teen pop-star whom Celeste does not respect and had openly bashed during a previous television interview.

It was released on August 3, 2012, in New York and Los Angeles.

We wanted to write something that was in the vein of Judd Apatow — you talk like you actually talk with your friends — but with ladies.

And it gets at the way women, newly arrived on the dating scene and all their defenses down, can be stupefied by men.

It’s as if we were watching one of those buddy-buddy bromances told, this time, from the perspective of the woman who is normally on the sidelines of the men’s attentions and affections.

Lee Toland Krieger (“Our movie is about two people who love each other a ton but they don’t know what to do with that love, and how do you let that person go.

It’s very different from: ‘I like having sex with this person because I’m so modern but then, ooh, maybe I like them.’ I’m less interested in that story. But there is a certain sweetness inherent in his personality, so I’m excited to see what he does with this material.