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w=529&h=326 529w, https://alaintruong2014.files.wordpress.com/2014/12/9523060683418f278a6f7df2a266b0e82.jpg? w=150&h=92 150w, https://alaintruong2014.files.wordpress.com/2014/12/9523060683418f278a6f7df2a266b0e82.jpg? w=300&h=185 300w, https://alaintruong2014.files.wordpress.com/2014/12/9523060683418f278a6f7df2a266b0e82.jpg? w=768&h=473 768w, https://alaintruong2014.files.wordpress.com/2014/12/9523060683418f278a6f7df2a266b0e821024w" sizes="(max-width: 529px) 100vw, 529px" / Beaker with Imagery Related to Isthmia and Corinth (rollout detail), Roman, A. VEX.2014.1.10 “We are privileged that our colleagues in Paris have entrusted us with these exquisite objects. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. w=300" data-large-file="https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? w=529" class="alignnone size-large wp-image-13440" src="https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? w=529&h=474" alt="VEX.2014.1.17: Plate with Maia and Mercury" srcset="https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? Sardonyx set in a seventeenth-century gold, enamel, and ruby mount H: 8.8 cm; L: 6.3 cm. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. They were primarily intended to display the wealth, status, and cultural aspirations of their owners. A selection of unsigned blown glass that illustrates Ennion’s profound influence on the nascent Roman glass industry also is on view. Lenders to the exhibition are The Corning Museum of Glass; Israel Antiquities Authority and the Israel Museum, Jerusalem; Eretz Israel Museum, Tel Aviv; The British Museum; the Louvre; Museo di Antichità, Turin; Musei Civici del Castello Visconteo, Pavia; Museo Archeologico Nazionale di Adria; Yale University Art Gallery; Newark Museum; Chrysler Museum of Art, Norfolk, Virginia; the Yunwai Lou Collection, New York; and the Strada Collection, Scaldasole, Italy. Shlomo Moussaieff, who had the initial concept for the exhibition. Ancient glassworking techniques are demonstrated within the exhibition by means of a video that was commissioned by the Corning Museum of Glass and filmed at the Roman-style wood-fired furnace at Villa Borg, Germany. Exhibition design is by Daniel Kershaw, Exhibition Design Manager; graphics are by Mortimer Le Bigre; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers, all of the Museum’s Design Department. Pyxis with Lid, Eastern Mediterranean, probably Palestine, probably Syria, 55.1.68. Ribbed Bowl, Roman Empire, possibly Italy, possibly Eastern Mediterranean, 79.1.39. Pitcher (detail), Roman Empire; probably Syria; possibly Palestine, 1-99. Masterpieces of ancient craftsmanship, they truly bring the portrait to life and capture Augustus’ much celebrated and arresting gaze, a quality noted in Roman literary sources.The opportunity to study them over an extended period of time has produced valuable new insights about the unsurpassed artistry of ancient Roman silversmiths,” said Kenneth Lapatin, exhibition curator and associate curator of antiquities at the J. Berthouville Silver Collection: Documentation of after treatment – post-conservation " data-medium-file="https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? VEX.2014.1.96 Offering Bowl with a Medallion of Mercury in a Rural Shrine (detail). w=529&h=474 529w, https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? w=150&h=135 150w, https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? w=300&h=269 300w, https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x1024.jpg? w=768&h=689 768w, https://alaintruong2014.files.wordpress.com/2014/12/gm_327401t5v1x10241024w" sizes="(max-width: 529px) 100vw, 529px" / Offering Bowl with a Medallion of Mercury and Maia or Rosmerta. Silver and gold; H: 5.4 cm; Diam: 22.2 cm; Wt: 694 grams. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. The two largest platters are the famed “Shield of Scipio” (found in the Rhone near Avignon in 1636) and “Shield of Hannibal” (found in the Alps in 1714). Cup with Gladiators, Roman Empire; Northern Italy; Rhineland; Gaul, 25-75. Beaker with Greek Inscription, Roman Empire; Syria; Palestine, 1-99. Bowl signed by Ennion, Roman, blown in four-part mold, 1st half of 1st century A. Said to be from Sidon, Lebanon Chrysler Museum of Art, Norfolk, Virginia, Gift of Walter P. Head Flask, Roman Empire, probably Eastern Mediterranean, 59.1.150. After the presentation at the Metropolitan Museum, the exhibition will be shown at the Corning Museum of Glass (May 15–October 19, 2015). Based on models from classical Greece, the portrait type used for the Meroë Head differed from earlier, more naturalistic depictions of Augustus.After the first Gulf War, the Iraqis installed a floor mosaic of the American President George Bush Senior at the entrance of the Al-Rashid hotel in Baghdad, so that all visitors (including western politicians and businessmen), were forced to walk over face of the leader of the biggest power in the West – just as the Meroites did with the face of Augustus outside their victory shrine 2,000 years earlier. Glassware—primarily jugs and cups—signed by Ennion was traded throughout the entire Mediterranean world and has been found during archaeological excavations at sites from Israel to Spain.The Americans in turn tore down statues of Saddam Hussein as soon as they captured the city. Of the 37 complete or fragmentary vessels in the exhibition, 24 are by Ennion, including the Metropolitan Museum’s three signed pieces.Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris LOS ANGELES, CA.- Accidentally discovered by a French farmer plowing his field near the village of Berthouville in rural Normandy in 1830, the spectacular hoard of gilt-silver statuettes and vessels known as the Berthouville Treasure was an ancient offering to the Gallo-Roman god Mercury.Following four years of meticulous conservation and research in the J.Berthouville Silver Collection: Documentation of after treatment – post-conservation " data-medium-file="https://alaintruong2014.files.wordpress.com/2014/12/12151.jpg? Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris VEX.2014.1.6.

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These surviving artifacts from the Cabinet’s collection not only demonstrate the skills of Roman craftsmen but also provide valuable information about social relations at the height of the empire in the first to sixth centuries A. The discovery, captured in stunning photographs, immediately attracted international attention.

The elaborately decorated imagery of Tutus’s offerings, except for one ladle that was manufactured specifically for Mercury, feature Bacchic motifs and mythological scenes that are more appropriate to luxurious dining than religious observance. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris.

These items were probably presented to Mercury at Berthouville after initial use as private display silver. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. Soon after its discovery, the treasure was acquired by the Bibliothèque nationale de France in Paris where it was cleaned and the disassociated parts of several vessels were reassembled. (Achilles dragging the body of Hector around the walls of Troy).

w=300" data-large-file="https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? w=529" class="alignnone size-large wp-image-13439" src="https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? w=529&h=465" alt="VEX.2014.1.96: Missorium of Herakles and Lion" srcset="https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? Dedicated by Publius Aelius Eutychus, freedman of Publius Aelius Numitor. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. Mid-conservation view showing the bowl partially cleaned. 134-38 Gold; Diam.: 1.8 cm; Wt: 7.2 grams, minted in Rome. The shape, scale, and imagery of these two platters led early scholars to erroneously identify them as votive shields of historical generals – the Roman Scipio Africanus and his rival, the Carthaginian Hannibal. NEW YORK, NY.- Glassmaking originated around 2500 B. Its timeless and ageless character successfully communicated Augustus’ authority and the might of Rome, which he ruled from 27 BC – AD 14. In 25/24 BC, soon after Augustus’ conquest of Egypt, an army of the ancient African kingdom of Kush (in what is today the Republic of Sudan), destroyed and looted statues of Augustus in raids on the Egyptian border.

w=529&h=465 529w, https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? w=150&h=132 150w, https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? w=300&h=264 300w, https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d603.jpg? w=768&h=676 768w, https://alaintruong2014.files.wordpress.com/2014/12/b89b30a8a647f7026c1bec791ba07d6031024w" sizes="(max-width: 529px) 100vw, 529px" / Plate with Hercules Wrestling the Nemean Lion (detail), Roman, A. Inscribed: “MERCVRIO AVG P AELIVS P AELI NVMITORISLIBERTVS EVTYCHVS VSLM”. The exhibition also presents a variety of precious objects from the collection of the Cabinet des médailles at the Bibliothèque nationale de France, one of the premier repositories of ancient luxury arts. Bibliothèque nationale de France, Département des monnaies, médailles et antiques, Paris. November 19, 2014-August 17, 2015 Mots-clésbeaker, Beaker with Greek Inscription, Cup with Gladiators, Dip Mold, Eastern Mediterranean, Ennion, Gaul, Glass, Head Flask, Lotus-Bud Beaker, Northern Italy, One-handled jug, Palestine, Pyxis with Lid, Rhineland, Ribbed bowl, Roman, Roman Empire, Syria, Western Asia One-handled jug signed by Ennion, Roman, blown in a four-part mold, 1st half of 1st century A. Unknown provenance, but said to have been acquired from a collection near Naples, Italy. Ewer (detail), Ennion, Probably Syria, Possibly Palestine, 25-75. The portrait head became a prized trophy, and was buried beneath the steps of a victory shrine in the Kushite capital of Meroë, so that whoever entered ritually trampled the decapitated head of the ruler of the Roman Empire.